along with some comments on the world of a freelance editor
What It Is (posts below left; rate sheet, client list, other stuff below right)
My name is Bob Land. I am a full-time freelance editor and proofreader, and occasional indexer. This blog is my website.
You'll find my rate sheet and client list here, as well as musings on the life of a freelancer; editing, proofreading, and indexing concerns and issues; my ongoing battles with books and production; and the occasional personal revelation.
My pal at one of my publishers said I seemed like a happier person when I was posting to my blog. (I didn't bother to mention the details in which my life's gone to hell since then.) I'm going to attempt again to do so, but it'll be repurposing my daily emails. All will be scrubbed for personal items and, maybe, too-personal revelations, so apologies for any duplication my readers may encounter. But my voluminous email output, since I eschew social media, are my running diary and journal; God only knows if my longsuffering esposa ever happened upon my email and text messages she'd be horrified, and since she only remembers what happens in the present as long as it involves her resentments against me, she'd have plenty of fodder to keep her mind occupied, when she's not chatting with catfishing randos in Egypt. That was yesterday's joy.
So, reinstallment one of an attempt to keep my vast readership of maybe half-a-dozen—on a good day—forthwith. You get what you pay for.
+++
[In reference to a job offer] Sign me up.
I'm scheduled for surgery on March 14, but Anthem Healthkeepers is fucking me over in astoundingly creative and infuriating ways, so I doubt that date's gonna hold, if it takes place at all, at least with my preferred provider. All Anthem cares about is that my "ventral hernia repair with possible component separation" is done in Virginia, even if that means it's done by a team of snake handlers, barbers, and meth freaks with switchblades and their filed-down vampire teeth, as long as they are in-network. But if by some divine intervention (your most unexpected words, given that "it's all fiction") it takes place, I am motivated to have the decks cleared by March 12, since I have to make my way down to Charlotte by myself on March 13 and am horrified to find out that Greyhound doesn't deliver. I guess the days are over when they'll take you anywhere. I was hoping for some interesting adventure. So it'll be a one-way plane ticket arranged by my elder issue, since online booking of air travel might as well be trying to negotiate a Sanskrit-to-Koine-Greek translation for me. Last time I tried to book a plane flight online I think I bought six round-trip tickets, only two of which were necessary. I wrote the other ones off as probably taking too much time and effort to unravel them.
My early March is kinda thin right now anyway, and a 150-page scriptural index shouldn't present much of a problem. If there's any way you can unearth it from your designer in late February so that I can get it in by the end of the month and not wait 66 days for payment I'd be most appreciative, but I understand if not.
Hope all's well with you. I sure could use me some Bagel Bitch right now. Some of mi esposa's friends claim to be coming up from Atlanta in mid-March for an early prebirthday visit with her, and her Christmas-celebrating Jewish friend will be bringing deli, but it ain't the same. I eagerly await our move to northern Virginia, which may take place sometime this year, when I'll be only 4.5 hours from real NYC bagels and a decent slice of thin and greasy pizza. First stop, though: Dorothy Day's gravesite on Staten Island, at Our Lady of Perpetual Sadomasochism convent, or whatever it's called. Funny if you look it up on Wikipedia. Notables buried there are St. Dorothy-in-waiting and a passel of Staten Island mobsters, which is par for the course. Ah, home.
So, these emails, for as long as I keep it up, will be written with an unidentified third-party reader in the background -- and since you and maybe my other managing editor pal and my brother are the only ones who ever seemed to read the damn thing, I guess you'll find a few things new. But I might post everything, inshallah.
In the words of Warren Zevon in his own version of "Poor, Poor Pitiful Me," "I don't wanna talk about it." I will say that things are a whole lot different now than they were just prior to my 59th birthday, the dateline of the prior post. Yow.
The hands-down best part of the changes is that I recently became a first-time grandfather, so wonderful things do happen. Our son and daughter-in-law have decided that once our granddaughter has a recognizable face, she will also have no social media presence. They won't be posting pictures for public viewing, and I'm sure it'll be a long time before their child does. And my kids are not Luddites by any means, DIL included. Nor do they particularly put themselves out there, at least via the only medium that I very, very occasionally access: the much-dreaded Rat's Nest; both sons have abandoned it, and our daughter-in-law might post twice or thrice a year. I think they do Instagram stuff, but I don't really know (or know what that is) nor do I care. All three can stare into their phones for hours with the best of them, although the new parents now have a better way to spend their time.
And no photo of my most brilliant and beautiful granddaughter will appear here, because it wouldn't last long anyway. Scroll down a little and you'll see that Blogger has scrubbed the picture of the mascot and me, for godsake. I'm not sure which of us triggered the facial recognition bots. Google years ago wiped out from this blog the photo of the czarina and me with John Cale . . . and also wiped out, at least on my side, the same photo as an attachment to an email to an author in Israel, for whom I was writing an index. Thankfully the author did receive the email and the photo deletion didn't until occur until sometime down the line. But it still makes you go hmmm, as some long-forgotten sort-of comic would say.
Just got through the leanest month in the modern history of LandonDemand. September's already looking better, which isn't saying much, unless folks bail on me. It's happened before. Or something is moved to next season. Or a well-known university press gets a job back three weeks early—a true sign of my lack of stuff to do—but the Holy Grail known as the Purchase Order Number has not yet been assigned. And I start what becomes a string of worldwide emails to get one. I mean, talk about no good deed goes unpunished.
On the other hand, with this same press, I once filed an invoice on Thursday morning and was paid late that afternoon, direct depozick [sic]. So I can't really complain.
I just realized that the insomnia I've been battling for much of this year could have been spent right here. Anyone out there reading this is very, very lucky that I've not happened upon that notion before now. I've been unleashing the word horde (thanks, Wm. S. Burroughs) upon any poor soul who'll stand still long enough. (See paragraph 1.)
And no more comments. Sorry. The spammers are getting past the meager defense that Blogger provides. I'm always available via landondemand@gmail.com, often too much so. Write me, especially if I don't know you.
Just sent this letter to an author looking for an indexer. I'd asked for a few sample manuscript chapters since the pages weren't ready yet. I'm also printing it here so that I can use it as boilerplate, not that I'll remember it. I'm so geeked up about going to Denver tomorrow, I'm still working on what should have been finished seven hours ago. Gonna be the usual long night before travel. "Live and don't learn, that's us" (Watterson). I wonder if AAR has ever done a Calvin and Hobbes session. The question should be, "How many?"
+++
Thanks very much, J——. Even though I'm a known quantity to —— Press, I understand their and your stance perfectly.
As far as the prospectus, my first reaction as an indexer is, If I had this before starting any book, my life would be immeasurably easier. I'm just sitting here shaking my head at the thought. I might ask authors or presses for it in the future, and if that's the case, I've gotten my money's worth out of this correspondence already.
All that notwithstanding, your material has made it with room to spare under my psychic limbo bar. If the job were to come my way and came with the usual 6x9" or 6x9.25" trim size, the rate would be $5 per indexable page, which is generally from the first page of the introduction through the end of the last chapter, inclusive. Add on to that pages for any indexable front matter (maybe a preface, not foreword or acknowledgments) and back matter (notes, not bibliography or appendices [except in the most general of fashion]). For a book around 90K words, maybe 230 pages or so? Of that, usually about 210-15 would be indexable.
So if it's the usual academic trim size, entirely depending on the final page count of indexable material, probably in the $1075 range, give or take. If you're associated with an institution that might be paying for the work, I'd ask to start any necessary payment paperwork (registering as a vendor, submitting a W9) at the beginning of the job. I've found that being a first-time payee can take an inordinately long time, and I like to grease the skids. If paying on your own, I accept checks or—for the more adventuresome or 21st-century, which isn't me—PayPal.
Let me know whatever you decide. I'd like to work with you and will add you to my schedule if that's your call.
Thanks.
+++
And if you're wondering about that rather formal head, I'm putting some knowledge to work.
I could just turn space into the equivalent of a Twitter feed, with a 280-thought limit. That gets the diversion monkey off my back and feeds the content monkey at the same time. Hell, if I tripled my readership, I could hit double digits.
Marketing
In advance of said convention, though, I did an incognito search for Bob Land edits (with no quotes). I was pleased with the result, especially with what I am learning about SEO from what in some ways is my best "client."
I was hesitant to put this blog URL on a business card, mostly because every other time I have purchased the usual allotment of 500 cards, something happens to cause them to go out of date after I've distributed about 40 of them—and I never know when the blog might go dormant for another nine months or I just want to pull the plug on the whole thing.
This time, I kept the business card to the essentials, and I left off indexing: name, d/b/a (unofficial), services, email, phone number. And, lordy, the folks running the Minuteman Press on the Tennessee side are a window into the local culture. Cash and checks only. Woman who runs the place gives you a look that pierces right through your eyes to the back of your head, while chortling in a manner than only four-pack-a-day smokers can do. Her husband, I presume, has big ol' muttonchops and some other beardy thing going on. And a grandkid or two and a beagle. I walked in there about 4.10p on Monday, and I think I caught them as they were getting ready to leave, well in advance of closing time at 5p.
Editing Tips
This blog provides editing tips in a more, eh, anecdotal manner. Over the years, though, I've printed more than enough pieces of sample correspondence to use if you want to establish with people you barely know that you're a seething malcontent.
Proofreading Tips
(1) Pick up a copy of Highlights for Children. Go to the page to find differences between the two images. Find them all. (2) When venturing to impress an object of sexual desire, pointing out errors on menus only goes so far.
The suggestion has come forth that if I'm not finding enjoyment on the Internet, it's my own damn fault. Well, one way or another, everything in my life is my own damn fault, so I guess I can own up to it.
I grew up with five newspapers under my arm: New York Times, New York Post, New York Daily News, the Village Voice, and the Staten Island (NY) Advance. News and sports junkie from early on, and I learned a lot about music from the Voice and a little about life from reading its personals columns, back in the pre-AIDS days. Each publication served its purpose.
So that's my frame for entertainment or information of the visual variety. But now . . .
* The news is intolerable.
* Moving slowly down the sports food chain as far as major markets as I've aged, I've lost all interest in keeping up with sports, and it's been that way for about 20 years (accompanied by a lifetime aversion to college athletics). Bobby Thompson and I went from Staten Island to Bristol. Eventually he made it back to New York.
* Musically, I don't keep up either. Silence is preferred. Most of what I listen to, when I listen, are ad-free albums on YouTube that suit my need for background sound that's not white noise. No lyrics. And I'm finding that I no longer want to hear a lot of the music I grew up on. Just so tired of it.
* Other entertainment? If there's a hint of violence or tension, I really don't want to be there.
[We have Amazon Alexa in the house. My main request for her is, "Alexa, white noise." That, and the occasional multiplication problem when I'm not close enough to a calculator.]
On the other hand, I was at a local bakery that occasionally has live music. It usually is awful. You can't imagine that every song played by a bluegrass band sounds like "I'll Fly Away." (I've got a rant-worthy history with that tune. Someday.) But last week, the bakery had a very good bluegrass band with a delightful selection of songs (except for America, "Horse with No Name." "The heat was hot"?). One was Norman Blake's "Ginseng Sullivan," an old favorite that I'd not heard in a long time. Upon hearing that, I dropped a $2 bill in the jar.
Then I went home and listened to the original version. The result? Catharsis. The salty taste of lost youth. And now I can't get the song out of my head, but far worse songs have held that position. But the ear bug, or whatever it's called, is heavy laden.
The suggestion has also come forth that there's something wrong with me. Good lord, has there ever been a doubt?
Gotta get to work. Signed an NDA, so no specifics. Yet.
Other than sending a few neat clients my way over the years, "free" music, and an easy way to check references and facts, the Internet is holding little interest for me. No website seems alluring. I have about half a dozen sites bookmarked, and all I have the stomach for is the weather and email, and sometimes even the latter is iffy.
Two solutions: about:blank and basset hound pictures. But the less time I spend looking at any screen, the better.
Don't want no news, no sports, no entertainment, no input. I'm ready to start living closer to my license plate: MONKISH. All the information I need, I'm paid to read. Maybe I'll learn about what I'm about to live through in some retrospective written nine months from now.
Might be that more of my time is spent here, posting rants about any damn thing. I'm at the point of my career, if that's what you can call this form of wage slavery, that my opinion couldn't matter much to any potential clients. To hell with it.
+++
I finished an index today I never should have accepted and "celebrated" by getting my increasingly scrawny white ass out of the house to Sam's Club and Walmart. It's Bristol, baby. That's how we roll.
Sam's Club: I'm pondering what huge blocks of cheese to buy, having bypassed a four-pound container of instant hot chocolate, my drink of choice these mornings. I see a woman speaking into a device on her wrist. At the time, I happened to be speaking with my wife, and I said, "Some woman is talking into a wrist phone. It's fncking Dick Tracy. I never thought I'd live this long."
Throw a head in there somewhere. And when you do, make it accurate. Why should a head have the word "oligarchy" in it when the word appears once on the next seven pages?
I'm not going to worry about this stuff too much once I start easing some of these indexes off the schedule. Turning into a mess. I never (well, very rarely) get bored proofreading or copyediting. Indexing . . . takes about 15 pages.
75 degrees here today. First post of the year: Washington's (real) Birthday. And I'm working on a book that harps on some of the current woes.
It’s what you might call multipurposing of related content. Scholars do it all the time. If I had a dollar every time I saw an author with a virtually identically titled article published the same year in a different journal, and it was a book chapter somewhere else and a presentation at a conference, I’d be able to make the next payment on my Lamborghini.
And this way, I’m sorta always on topic. Unless I need to throw down for an hour on the therapist’s couch.
I gotta buncha killer emails to India to post. Good lord. Being that angry all morning, from the time your eyes have barely cleared, is no fun.
Reminded of a line from Jim Bouton’s Ball Four, as I often am. The players had been asked to report for batting practice at 10am in advance of a 12:30pm start because of a nationally televised game. One of the players said, “Ten o’clock? I'm not even done throwing up by then.”
+++
By the way, on this note from your email—and not apropos to this project—
Endnotes no longer need to be provided as separate document as InDesign has a new feature available in its latest edition of the platform.
First, that’s great news. Second, one day I’d like to sit down with all the designers and typesetters and managing editors I work with and say, “OK, Just what the hell can InDesign do?” Because, as far as I know, all my folks use InDesign but they all tell me different things. And I don’t know what designers are doing on their ends that I should probably be doing, or what I’m doing that I don’t need to be doing (such as HTML coding if InDesign can pick up a bulleted list).
I’ve heard different things for years about notes and lists and tables and style sheets (thank you, [name of press here]) and so much else. There’s one press I work for, and the designer absolutely refuses to learn how to do style sheets. They’re in InDesign, of course, right? You match up the style sheet in Word with the style sheet in InDesign and voila? The jobs are basically novels and memoirs, very little formatting, and my life would be so much easier if I could just use style sheets—which very, very few presses use, I’m sorry to say. The two times I tried style sheets, he wrote the publisher like the world was going to end. I tried to explain it to him up front. He was agreeable. Then no way. Not gonna do it.
Ah, the new national pastime. But this type of trolling is in the good, old-fashioned, whorish kind of way—not the twenty-first-century, bait-your-fellow-readers-into-mindless-exchanges way.
Actually, I have an alias for that. Had it for forty years. Same one Abbie Hoffman used, and I employed it for trolling purposes back in college. If you search the tubez, I'm the only one out there with that name. And, no, you won't find it on this blog (I don't think).
If you read this blog, if you like this blog, if you want to give me the slightest encouragement to keep posting here, please leave a comment once in a while. Google really likes it, and if past performance is any indication of future results, I never know who might stumble upon this space and provide me with interesting work, relationships, or something I can't even imagine.
Working in SEO, as is part of my life again, gives me little hints. If I'm gaming online real estate to attract clicks, well, I'm about the 600 millionth in line to do so, so don't hold it against me.
Judging from blog 1.0 (2007?–July 2017), Google is eventually going to scrub YouTube videos from here, so I won’t bother posting a recording of the song. I’ll leave that to interested readers.
I live in Bristol, VA, which, along with Bristol, TN, is the official Birthplace of Country Music. Translation: here, in the late 1920s, Ralph Peer came to record Appalachian and southern white folk music in the form of the Carter Family, Jimmie Rodgers, et al., which kicked off the chain of events that eventually led to Nashville.
Third weekend of every September, Bristol hosts the Rhythm and Roots Reunion, which started the year we moved here with a few stages and small crowds. Seventeen years later, it draws about 50,000 to 60,000 people over the course of three days and is a legitimately good time. Downtown Bristol, inside and out, is turned over to about 20 music venues.
On the recommendation of an old and dear friend, I went to see Mandolin Orange a few weeks ago. Usually I don’t pay attention to lyrics that much anyway, and when it’s a band you’ve never heard on an outdoor stage, you’re lucky to understand much of anything.
But Mandolin Orange falls somewhere around alt bluegrass and lo-fi, so picking up the words wasn’t hard. One song caught my attention, and the more I listened, the more I was amazed at what I thought I was hearing. A week or so ago, I went online to look at the lyrics. I wasn’t disappointed. Reading them now brings tears to my eyes. And the recurring line has become a bit of a mantra for me on many different levels. “It should have been different. It could have been easy.”
I’m New York City born and bred, as were my parents and one set of my grandparents, so I have no dog in this hunt. But I married a woman who qualifies for Daughters of the Confederacy and who was born in Montgomery, AL, and raised there and in Atlanta. The Virginia/Tennessee line is the farthest north she’s ever lived. I think she’d have mixed reactions to this song, even though she’s as progressive as the day is long. I don’t have mixed feelings at all.
Mandolin Orange: If someone happens to direct you to this post or you find it on your own, thank you, thank you, thank you.
It should have been different. It could have been easy. And I’m crying as I type. (Lyrics printed sans permission of the artists. I hope they and the Google don't mind.)
+++
Brave men fall with a battle cry
Tears fill the eyes of their loved ones and their brothers in arms
So it went, for Joseph Warren
It should have been different, it could have been easy
His rank could have saved him, but a country unborn needs bravery
And it spread like wildfire
Wildfire
Wildfire
From the ashes grew sweet liberty
Like the seeds of the pines when the forest burns
They open up, grow and burn again
It should have been different, it could have been easy
But too much money rolled in to ever end slavery
The cry for war spread like wildfire
Wildfire
Wildfire
Civil war came, civil war went
Brother fought brother, the south was spent
But its true demise was hatred, passed down through the years It should have been different, it could have been easy But pride has a way of holding too firm to history And it burns like wildfire
Wildfire
Wildfire
I was born a southern son In a small southern town where the rebels run wild They beat their chest and they swear: we're gonna rise again It should have been different, it could have been easy The day that old Warren died, hate should have gone with it But here we are, caught in the wildfire
I realized that I'm posting a lot on Facebook, to an audience of two or three, instead of doing anything with the blog. Since I loathe Facebook, maybe I'll just keep this window open and bother this lack of audience instead. Never know when the alGooglerithm might pick me back up. I've ended up with some interesting work because of this free little bit of real estate. Maybe I shouldn't bite the hand, etc.
Hey, if you're reading this, let me know. Anonymous comment is fine. Email. Smoke signals.
Confluence of three events in this time in Land on Demand technology history:
1. Putting the brakes on this blog a few weeks ago.
2. Facebook notified me today that I joined six years ago. Ugh.
3. The czarina got me a smart phone. I'm sure the unintentional consequences will start soon enough. I suppose I'm just glad to have a flashlight and a stopwatch that runs into the double-digit hours. It's like a Swiss Army knife for someone with no useful skills.
Or maybe not. AP sez "internet" is lowercased as of June 1, 2016.
A lot's actually happened since the last post. In no particular order, trip to Chicago that included seeing son no. 1 perform, a few other wild cultural events, and a trip to the Baha'i Temple north of Chicago, which is simply breathtaking.
And it's also possible to experience peace. I know because I've had the same feeling in two similar but wildly disparate places: the Baha'i Temple and -- can you guess, longtime readers -- the Abbey of Gethsemani in Trappist, KY. Tere and I were walking very slowly around the outside of the temple in the dormant gardens area (probably exploding soon) and I leaned over and said, "Feel that? . . . That's what Gethsemani feels like." And she said, "I get it."
Don't want to jinx anything, but I've felt oddly peaceful since that day. I'll take it lasting a while longer.
Good news is rumbling on the Fred Neil front. Just saying.
A fascinating linguistic moment in Chicago. We were at a staging (not exactly a performance) of The Last Defender, which entails a team of 16 working together to prevent nuclear annihilation. Without giving anything away (I hope; the show has been extended five or six months from its original date), at one point people need to line up and hook themselves together. The young woman (say, 30 years old) next to me said to everyone else, "Those of you with the receptive end, get ready."
I leaned over (I do a lot of leaning over and talking to women, I guess) and said, "Very good. 'Receptive.' I never would have come up with that." And she said, "I had to say something, and that was the best I could do."
Folks, a few years from now electrical outlets or tools or what have you won't have a male and a female end anymore.
Oh! Younger son and fiance will be teaching outside Denver in the fall. Haven't even graduated yet. Everyone is most pleased and proud. Son no. 2 is going to be teaching 11th-grade English. His kids are in for a ride.
This blog serves, as the header above states, as my business's website. Thanks to the Google for the cyberrealestate. I've attracted over time clients from Kuwait and Australia, not to mention Oxford University Press, based on people who've found this work diary. That was back in the day when the Google's algorithms were a variation on the old Stalin line: "Paper tolerates anything written on it."
Tangent: You know the line attributed to Stalin, "To make an omelette you have to break a few eggs"? Seems that he cribbed that from my notorious cousin Lazar Kaganovich, although Lazar probably picked it up from somewhere else. For all of his, uh, charms, I don't think that original thought was high on Iron Lazar's list.
Anyway, even in spite of the Google's algorithm changes, a year or so ago, the author of a nascent Fred Neil biography found a posting I'd done about one of the few surviving video clips of the late, great Fred Neil. Alas, in the interim we've met and hit it off quite nicely, and tomorrow I'll receive the complete manuscript.
The notion that I'll have a heavy hand in a Fred Neil biography is one of the things that makes my crazy work life worthwhile. That, and nailing a friend's father years back for telling me he taught ethics at the School of the Americaswith the line, "How interesting. A good friend of mine did the original English translation of Gutierrez's A Theology of Liberation." Perhaps my greatest party moment ever -- well, at least in my mind. You could just about see the steam coming out of this man's ears. No telling how many times he'd gotten away with that line.
Exactly where it belongs, the first almost entirely correct usage of "underway" as one word that I have seen in this lifetime of "So, are you still doing whatever you do?"
Neither Case nor Parker recorded his unvarnished opinion of the U.S. Navy’s first week of fleet maneuvers, but surely each hoped for a better showing during the second week of exercises. After a long weekend at anchor in “Florida Bay,” the fleet went to sea again on 11 February. Initially, events did not go smoothly. Case had to withdraw one warship from the exercises after a boiler failure, and Parker found the underway evolution rather disorderly.
Hell, that even might be correct. The floor is open for discussion, and I'm open for business here again; we may doze, but we never close. A few folks have lamented to me about my blogular dormancy; then I saw the sentences above. As a friend and reader said, "Don't you have anything to rant about?" Always.
Very busy, on some large projects you will never know exist. Trust me. That's why I think there's always room in this business for people of a certain twisted expertise or skill and a good work ethic . . . because there are plenty of areas and projects and fields that I don't know exist and someone is editing there, too -- unless every area except the ones I work in has writers who know how to follow a style manual and write clearly. In copyediting, proofreading, and indexing, the "subject matter expertise" is the skill itself; the subject is secondary.
I've referred some editors and indexers I know lately to other publishers, which means that publishers are offering me work -- or work without enough lead time -- that I can't take on. It's a good thing all around. And it means that even publishers committed to their current freelancer list are, at some point, always looking for other freelancers.
(I won't discount the notion that having experience or contacts helps, if you're out there looking for work.)
My lack of blogging mostly stems from the aforesaid busyness, to which I now must reattend.
Nothing happening on the press front, by the way, and I need to change that. Anyone with any pointers on how to overcome fear of new adventure?
Tired of looking at the old entry, and no time to compose anything coherent. If printed books are dead, no one bothered to tell my publishers.
So, forthwith are posts that I had in waiting. I'm tired of looking at them, too. If they no longer make any sense, well, I've had a few other entries like that as well.
* * *
CreateSpace: Garbage In,
Garbage Out
6/2/2012: In full disclosure, I wrote this rather hastily some weeks back. Would someone who actually knows please tell me the story: Does CreateSpace ever typeset copy for a book's pages? Or do they simply print what the author/customer supplies . . . PDF, Word doc, whatever? Is there ever any human contact? Do they provide a good service? I was just ranting here . . . to a degree.
If you're a self-publishing author and you don't know how to
format your manuscript properly, your book is going to look like absolute crap
when you get it back from Amazon's CreateSpace . . . unless CreateSpace has
different levels of service, and one of them actually gives a darn what your
book looks like as Amazon taps your bank account.
My two experiences
with CreateSpace page proofs show that the folks at CreateSpace setexactly what the customer sent in.
Maybe that's all they do. In some circles, that would be called "customer
service." In my world, that's called "revenge."
To all
self-publishers or ghostwriters working with same: For a very nominal fee, I
can clean up a manuscript so that your page proofs will look, well, like a book
when it's designed. And I can pretty much guarantee that my charge up front
will be a hell of a lot less than what Amazon will charge you for typesetting
corrections after the fact -- if they even perform that service.
And itwillbe worth it. Because unless you
know what you're doing, and without that kind of intervention, your labor of
love is not going to look like any other book on your shelf -- and I'm not
saying that in a good way.
Many writers,
frankly, just care about the cover and the spine. Author's name and title and,
presto, "I'm an author." But if you care what's between the covers,
you really do want it looking as good as possible. You don't want your readers
saying -- and I've heard this -- "The book was prepared so sloppily that I
put it down."
A self-published
book can look as good as any other book in the world. Yes, it can. If you don't
know how to make that happen, people can help you.
I'm one of them.
Shameless plug
over, but that's what this real estate is all about, folks.
* * *
Two Kinds of Writers
Early in my blogging days, I spoke of Bill Shipp, a man who made his bones in
journalism before I learned how to read. When I first worked with him, he had
already written for four decades and was a giant of Georgia journalism by any
metric. He demanded heavy editing. The rare call I received from him usually
dealt with the paucity of my red marks rather than their overuse.
I do some pro bono
work for a nonprofit that likes having its work proofed, edited, torn up --
everyone there, except the executive director. She doesn't want a word of hers
touched. Doesn't matter if it's a point of grammar.Leave it alone.
--
I returned a
manuscript to an author a few weeks ago, and I'll admit -- as I admitted to the
author -- that my customer service was not up to par. And I'll state that here,
just to be fair to the readership. Mostly dealing with turnaround time and
communication. I performed, however, a rather thorough edit.
The author's
comments were very nice, including this remark:
Your
work on my book was excellent and finding you encourages me to write more
and more and more.
Frankly, I can't
think of much higher praise for an editor. That one's a keeper. Even better,
the author writes about interesting stuff. Pinch me.
* * *
Special Onetime Offer:
Legacy Rates
6/2/2012: I actually never got around to the point I wanted to make here, which would have made the headline make sense. Ah, well. It also leaves a blog post in my head. Dammit.
This post is neither a coupon nor an attempt to gather more
clients into the LoD fold, although I never mind doing so. I worked long enough
in the insurance industry to understand spreading the risk.
Rather I'm looking
at a wholesale overhaul of my rate structure for authors -- not publishers --
based on a number of factors, primarily self-publishing and authors writing in
their nonnative language. Nothing against such authors personally, but it makes
no sense to charge them anywhere close to the same as the publishers' rates.
The work is invariably more difficult, requires far more hand-holding, and
takes longer . . . and there's little potential for repeat business, where an
easier project down the line makes things even out.
Too, once a writer
(I'm thinking of one in particular from years ago) knows an editor is going to
clean up a particular editorial issue every time, the writer has no real
incentive to understand what the hell the editor is doing and write it
correctly to begin with -- even a matter of the simplest English composition.
Imagine 2000 pages
of this:
"Why
did the dog eat the biscuit," Ed asked?
Not a 2000-page
manuscript. But five different novels of about 400 pages each. Don't you think
after the first one, where I corrected scores of such constructions, the author
might have learned something? (And this author is old enough to know better and
of such demographics and background that the author is clearly not a stupid
individual.)
When I say
"old enough to know better," I'm talking about some of the great
divides in U.S. education. This author is old enough to have learned the basics
of composition very well. At the time the author grew up, I doubt he could have
made it out of third grade composing a sentence such as the one above.
(Too, people of a
certain age, regardless of native intelligence and barring some mitigating
factors, can read aloud without hesitation. Not universally true with
people under 30.)
* * *
Word of the Day, and Other
Irritants
6/2/2012: I have a longer list on three small pieces of paper. Time to throw them out.
while at the same time
about 38
both (yeah,
"both," thanks to a university press managing editor who scrubbed a
manuscript of every single one before sending it to me for copyediting)
very unique
coteaching with another teacher
* * *
[no title]
6/2/2012: I have no idea why I saved this. I think I liked the part of the sentence that appears after the second em dash.
It is interesting to note the rather Pelagian
character of this soteriology, emphasizing the centrality of human agency over
against the initiation of the divine—particularly salvation by moral emulation—and
therefore providing no real sense whatsoever of how the divine actually enables
the salvation of the nationbeyond merely providing the opportunity.
* * *
A Day in the Bunker
I've referred to it many times before,
whether on the blog or in conversation. Here's a day at the LandonDemand
Intergalactic Corporate HQ:
By the way, I was
raised on this show. I think it showed four times a day in NYC when I was
growing up. Things haven't changed much, except now there's only one bed in the adults' bedroom.
* * *
And this added bonus, from
fall 2009.
6/2/2012: I forget if I posted this exchange. I emailed Moi some version of it. I'd forgotten most of it, but the whole thing still makes me shake my head. "Per" is the gender-neutral pronoun that an author used. I employed it here for a while to maintain gender anonymity. In this case, per is a dude. Now, I don't say "per." I just change the person's gender. Or not.
I'm going to take a page from one of the most offensive yet most
popular Internet sites, the Drudge Report, and break the news here. Anytime
someone tries to put out some dirt on Matt Drudge, he immediately posts the article
on his own site, as if to say, "I got nothing to hide." This is
another way of saying, "The best defense is a good offense."
Yes, indeedy, folks. Far and away my most bizarre client has given
me the heave-ho. I'm not going to get into too many details, to preserve per's
anonymity (I am fair, after all) and thus to preserve my own hide.
Let's just say this: Per is a Bible-thumping prophet (like an
apocalyptic, see-the-future type) and an America-loathing rabble-rouser. Per
foresees the end of America as we know it unless we all come to Christ and
change our ways. I can go on and on about per, as I have come to know per over
the last year or so, but I will let the slightly edited correspondence speak
for itself.
===========
Yes Bob I will send the western union today
although I am not going to pay you for re-editing your own work in chapter 26.
The other day when you ask me, where did I get this copy from. . . I got it
from you. That is the reason why I run everything through you before including
it in the manuscript, so the entire manuscript will have to be re-edited
because it is my opinion you either farmed it out originally or you did not do
such a good job that you have found your own work to be problematic with
errors. I know you by now (not using any gifts of foresight) that you are not
going to re-edit this entire manuscript again, and do it right at no charge,
but in my opinion you should because I have already paid you for it, and even
if you did go through it, it is further my opinion you would not go through it
with a fine tooth comb, so my only option at this point is to hunt for a new
editor and wish you the best. I will send you some money but frankly in my
opinion, I have wasted about [dollar figure here] and the manuscript is not
ready to go to press. Goodbye Bob.
===========
Isn't thisfun?
Here's the response I wanted to send. Special blog exclusive.
===========
First, when I asked, "Where did this come
from?" I'm certain I was referring to a specific piece of text, not an
entire chapter, and how it fit into the surrounding text. I'd need to see the
context for the statement.
On to larger matters:
You've received all the tracked versions of every document you've sent me (all
of which I've kept), so you've seen exactly what I've done along the way -- no
portion at all of which has been farmed out. I don't farm out my work any more
than you farm out your prophecies.
You've had no complaint about the work until now. You've had scores of
opportunities to say that you didn't think my work was up to snuff and to end
our relationship based on the quality of the work you were receiving from me.
I've never heard a single word from you along those lines -- even though you
claim that you've been rereading and rereading the manuscript. If there were
really something seriously wrong, you would have noticed it long before now,
and you would have terminated the relationship long ago. You obviously felt
comfortable enough with my work to continue to send me regular updates for nine
months after editing the original manuscript, and to send me emails asking for
advice, which have always been answered. Along the way, you'd mentioned at
least twice all the money you'd be sending me once the book came out because
you treat well those people who treat you right. Those aren't the actions or
words of an author who is unhappy with the editing.
I can guess at any number of reasons you now no longer want me to work for you,
but I'm not going to try to get into your head.
Every person who is in publishing full time will tell you that copyediting is
part of a process, which includes proofreading as well, and proofreaders often
catch what a copyeditor has missed, especially in a manuscript that at this
point is being slapped together totally haphazardly, with a sentence here and a
sentence there out of context going out for editing. If the manuscript overall
is now not reading the way you want it to, it's largely because of the process
you've undertaken since last November.
I've been getting emails since last November with documents titled things like,
"last change before typesetting" and "one last thing." You
can attribute it to [ . . . ] or your desire to have this book be its best, but
I've worked with any number of folks who also have issues with [ . . . ] and
who want the best for their publication, but who also intuitively understand
what it takes to make a publication its best and how to work with an editor to
bring that about. Your approach to the text of the book at this point is akin
to a dog who keeps digging up a bone and looking for somewhere else to bury it.
You just can't leave it alone, and confusion is the inevitable result. If you
want to blame me for that, that's your decision. The corrections you've been
sending my way have resulted from your claims that you had a better way to say
something, or you've been adding new material (election, Michael Jackson, new
interactions at churches), or you've been qualifying your experiences in [ . .
. ] to make sure you don't land in additional legal trouble. Never have you
said, "I didn't like the way you did this. Please review." Never. Not
once. And that you kept sending me material clearly showed you thought I was
doing something right.
According to your own account, you've gone through photographers, web
designers, cover designers, and editors before me -- blaming them for all the
problems and their inability to do what you want them to do. I'm now added to
the list. Without the gift of foresight, I suspect the pattern will continue
with typesetters, proofreaders, indexers, printers, distributors, bookstore
owners, publicity people, and so on. When I read in your book that you'd been
in 20 car wrecks, 19 of which were not your fault, that about summed it up. And
when I read repeatedly in your book about your lack of faith in the United
States and the American judicial system, yet when I look online and see that
you are constantly in court, asking that very same American judicial system to
clear up your problems for you, I see that I've been dealing with a bundle of
contradictions all the way along.
You are certainly correct that I would not reedit the manuscript again at no
charge. And I'd be wary of vendors who give you rock-bottom rates and claim
decades of experience. I don't think you'll ultimately be happy with their work
either, or you'll find that they'll start charging you for continually making
changes and adjustments (as they should), which will make their original low
price end up not so low in the long run.
You say that this book will come out on God's time and according to God's plan;
if that's the case, then your dealings with me have just been part of a grander
scheme in which you claim to have complete trust. Or maybe it's like the
judicial system: it's something you fall back on when it suits your purposes.
I wish you the best of luck with the book.
Bob
Note that this book remains unpublished. June 2, 2012.
December 2011 is in a few weeks, and I'm stunned. I'm not going to do a preliminary year in review; I'm not even sure I've got the stomach for the real thing when time comes. While I'd really like to turn the page on this year, there's always the possibility that next year could be even stranger. One nice thing, though, about incipient senility is that I've probably forgotten half the stuff that's made this year feel like I've been tossed in a clothes dryer for 11 months, taking the ride with a few good-sized rocks, for proper weathering.
I feel like I've aged a lot since the photo at the bottom of
this page. I certainly look it. I guess that photo was taken a little more than two years
ago. If I were to shave off the snow-white beard I now have, that
would probably help, but that would mean walking around looking (even
more) like a bum most days of the week, as keeping clean-shaven is way
down on the list of priorities.
Anyway, I was checking Feedjit and came across It's Been Jessified. Thanks to Jess, whoever she is, for at least starting off my day right today. She listed this blog among a few editing blogs she recommends. For each of the other blogs, she has some statement about the blog's purpose. Not for this one. Instead, her comment attached to the link for my blog reads, "I have just spent all my free time today reading the entirety of this blog." She stopped posting back in 2010 sometime, but at the time I guess the educational or entertainment value of this blog was enough to hold her attention, or at least I didn't receive a ticking package in the mail.
Heaven knows I waste too much time on the Internet reading comments and opinions and musings from perspectives that I loathe, although I don't spend all day at it.
Anyway, I'm elbows deep in wrapping up a huge, complex proofreading project. At least the topic is sort of interesting. The book should be beautiful when published, and if history is any indication, I'll receive a comp copy. Thanks, New Haven.