What It Is (posts below left; rate sheet, client list, other stuff below right)

My name is Bob Land. I am a full-time freelance editor, indexer, and proofreader. This blog is my website.

You'll find my rate sheet and client list here, as well as musings on the life of a freelancer; editing, proofreading, and indexing concerns and issues; my ongoing battles with books and production; and the occasional personal revelation.

Feel free to contact me directly with additional questions: landondemand@gmail.com.

Thanks for visiting. Leave me a comment. Come back often.

Friday, October 5, 2007

art imitates life

My wife, who suffers through far more of the type of information sharing and complaining that I provide on this blog, works at Barter Theatre, the state theatre of Virginia. The relationship has been mutually beneficial for the theatre and our family. The theatre benefits because she is passionate about, and thus excellent at, what she does for the organization; we benefit not only because we get to see a lot of plays for free or for discounted rates (I am also nominally an employee because of some publishing-related duties I do for them), but because of our association with the people of the theatre, who represent much of our social group, and because of their influence and the example they set for our sons, both of whom are interested in performing.

Having said that, we saw a play earlier this week, and will be seeing it again tomorrow, called Doubting Thomas. It is the world premiere of this piece, with four fine actors and directed by my wife's boss, who is responsible for just about all my favorite plays up there over the last few years.

Why does art imitate life? Because it's a play about theological arguments. Without going into the details (don't want to spoil the show for those of you who might see it over the years), it deals with the conflicts of an about-to-be-married couple, a pastor, and a professor of comparative religions. In other words, the script sounded a lot like much of the reading I do, which gave me an interesting perspective. A little more specifically, if you're familiar with the output of Pilgrim Press (of the United Church of Christ), you'd see a lot of similar themes.

But what a great show, its content overlap with my real life notwithstanding. The show has grown on me since its first viewing, and I am looking forward to the performance tomorrow, when we'll be taking one of my publisher friends from northern Virginia to see it.

Another content note: Dedicated readers of this blog (you know who you are, or is) will remember my ongoing issues of working on books I don't understand. I am proofreading a small book dealing with Christian faith, and call and response, and the author is talking about going to a jazz club in Memphis. He has misspelled the names of Dizzy Gillespie and Wynton Marsalis, and he has gotten wrong the name of a John Coltrane piece. The copyeditor missed them too. I am gleefully correcting these items, with a side note to the managing editor, informing him that I am finally in my element.

The good news, too, is that this managing editor is my pal who sends me most of the impossible jobs that I work on. This one is an easy little proofread. He realizes, I think, that it's time to reward me for the hell I've had to slog through over the last year or so.

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