It's not worth much, but these days I self-identify as a Taoist-leaning Jewish agnostic -- one who still spends a lot of time up to his eyeballs in Christian theology. MDivs and people who hang around enough Sunday school classes or Saturday morning Torah studies with the rabbi will note the punning in this posting's title. To bring the rest of you heathens up to speed, the word for "spirit" in Hebrew is ruach, which means "wind" or "breath." Greek = pneuma. Same. Think, "pneumonia." Or you could think, "Jesus Christ, doesn't anyone read this stuff?"
The clock says 1:40am, about the same time it was three or four days ago when I discovered paragraphs repeating pages apart and the FUBAR situation known as "indexing implications."
Same thing happening now. Is it Groundhog Day? Four places in the book where paragraphs repeat. And in this case, there's no "near the end of the chapter" possibility that could pull this author's butt out of the sling. For some reason, he wrote this book -- some pneumatological ruminations -- in diary form. I have no idea why. The diary begins around April 2 and ends around November 29. I have no idea why. Is that average "normal time" in the Christian lectionary? Frankly, I don't care.
So the book has no chapters. The "diary entries" run in one after the other. I was wondering when I opened the PDF why this usually sensible press was publishing a book with no table of contents. Now I know. And I also know that it's now 1:46am on a Sunday morning, and while this managing editor might check her office email later today, there's not a damn thing she can do about it either. I have to presume in a book of this relative brevity the repetition is intentional. This author has, according to Amazon, eight books to his credit. I'm proceeding full speed ahead with the index. Let Rev. Smartypants substitute some text.
I mean, this happens so rarely -- so twice in four days is by any standard appalling. By the time I see these books, they've been vetted in-house (one hopes), copyedited (one hopes), and maybe even proofread while I'm doing the index. They may have even been through a stage or two of page proofs. No one notices? Admittedly Land on Demand has some screwy methods of operation, but certain benefits accrue to sitting down with a project and trying not to move my ample white butt until the thing is finished. At least I can remember what happens 30 pages apart.
Time to fix a cup of coffee. Presuming no other freakouts, I should have this wrapped up by dawn. Oh, for some career alternatives. Or a winning lottery ticket. I'd take the latter and probably still proofread. No stress. Read a book, point out mistakes, and send it back. Life used to be simple, not that I remember it.
along with some comments on the world of a freelance editor
What It Is (posts below left; rate sheet, client list, other stuff below right)
My name is Bob Land. I am a full-time freelance editor and proofreader, and occasional indexer. This blog is my website.
You'll find my rate sheet and client list here, as well as musings on the life of a freelancer; editing, proofreading, and indexing concerns and issues; my ongoing battles with books and production; and the occasional personal revelation.
Feel free to contact me directly with additional questions: landondemand@gmail.com.
Thanks for visiting. Leave me a comment. Come back often.
Sunday, December 14, 2014
Wednesday, December 10, 2014
Bad Timing
Partially it's my own fault. Whether it's the eight-day workweek or using up all the time my deadlines allow, I find that the most crucial questions that would allow me to proceed safely with a job come at times when it's least likely I'm going to get an answer.
One of my ongoing fears deals with a managing editor who's become a dear friend -- and who is actually one of the folks who admits to reading these little jottings. Since he knows my MO, I occasionally expect him to slip a note buried about two-thirds into a job that reads, "Bob, no matter what time of day or night, call me and leave me a message when you read this note." And it would be 3:30 in the morning the day the job is due, and the response to the message would have some essential information for going forward. Or he'd just want to bust my chops for leaving his work for the last minute.
But he's not alone, not that it should provide him with any solace.
Another common occurrence is that I'll have a more or less regular week going, then pick up a manuscript at 5:10pm on Friday that clearly has some fatal flaw 10 pages into it. Of course by that point, most normal people -- as a good friend once called them, "saps with a day job" -- have gone home, not to check back into their daily grind until Monday. Actually, my friend above, while far from a sap, is one of those who actually has a life outside the office. If one of these jobs ever came from his desk, I knew I'd just be better off putting it away until Monday morning.
I was indexing a book on the graveyard shift last night, and the book started presenting with difficulties. Paragraphs repeating from one chapter to another. Sentences repeating within a paragraph. All kinds of copyediting miscues that I'd have cleaned up or queried as a proofreader, but as an indexer aren't necessary my responsibility.
However, paragraphs repeating is a legitimate big deal at this stage, because you can't just take out two paragraphs on page four of a 40-page chapter halfway into a book. That results in the rather moderately phrased SNAFU known as "indexing implications."
Note to all you newcomers to publishing. If you're dealing with a book in production, and something comes up that has "indexing implications," it generally ain't a pretty sight. Either pages need to be reflowed if text comes out, or the author needs to submit new text to fill the same space -- in which case the indexer might proceed with his work, but the managing editor has to write index entries, not to mention re-proof those pages, when the new copy is set.
Here's the thing, though. If Land on Demand had its proverbial fecal matter together, I wouldn't be doing this job on the graveyard shift the day it's due (actually, gulp, the day after I told the author I'd have the index). I'd be doing it a few weeks before, giving the author and the press time to come up with solutions and maybe even tell me to stop work and await a new set of page proofs from that point forward. That's no fun either. Picking up writing an index after a forced break must, it seems to me, be part of one of Dante's levels of hell. I typically can't remember what book I invoiced two days ago, much less remember the entries and subentries I've started setting up a week or two ago.
Interesting book, though. I remember a few years ago hearing that someone had discovered that his VCR or DVR had what seemed to be a miniature camera facing out of it. I'd always thought that such a claim could only come from someone who'd just returned from a visit to the tinfoil hat store. Turns out that Samsung has admitted that some of their later-model TVs indeed were outfitted with cameras and microphones that could be activated remotely -- and that a watchdog group had cautioned about positioning such units facing your bed.
This public service announcement brought to you by the Luddites local union 23. Don't stay tuned.
One of my ongoing fears deals with a managing editor who's become a dear friend -- and who is actually one of the folks who admits to reading these little jottings. Since he knows my MO, I occasionally expect him to slip a note buried about two-thirds into a job that reads, "Bob, no matter what time of day or night, call me and leave me a message when you read this note." And it would be 3:30 in the morning the day the job is due, and the response to the message would have some essential information for going forward. Or he'd just want to bust my chops for leaving his work for the last minute.
But he's not alone, not that it should provide him with any solace.
Another common occurrence is that I'll have a more or less regular week going, then pick up a manuscript at 5:10pm on Friday that clearly has some fatal flaw 10 pages into it. Of course by that point, most normal people -- as a good friend once called them, "saps with a day job" -- have gone home, not to check back into their daily grind until Monday. Actually, my friend above, while far from a sap, is one of those who actually has a life outside the office. If one of these jobs ever came from his desk, I knew I'd just be better off putting it away until Monday morning.
I was indexing a book on the graveyard shift last night, and the book started presenting with difficulties. Paragraphs repeating from one chapter to another. Sentences repeating within a paragraph. All kinds of copyediting miscues that I'd have cleaned up or queried as a proofreader, but as an indexer aren't necessary my responsibility.
However, paragraphs repeating is a legitimate big deal at this stage, because you can't just take out two paragraphs on page four of a 40-page chapter halfway into a book. That results in the rather moderately phrased SNAFU known as "indexing implications."
Note to all you newcomers to publishing. If you're dealing with a book in production, and something comes up that has "indexing implications," it generally ain't a pretty sight. Either pages need to be reflowed if text comes out, or the author needs to submit new text to fill the same space -- in which case the indexer might proceed with his work, but the managing editor has to write index entries, not to mention re-proof those pages, when the new copy is set.
Here's the thing, though. If Land on Demand had its proverbial fecal matter together, I wouldn't be doing this job on the graveyard shift the day it's due (actually, gulp, the day after I told the author I'd have the index). I'd be doing it a few weeks before, giving the author and the press time to come up with solutions and maybe even tell me to stop work and await a new set of page proofs from that point forward. That's no fun either. Picking up writing an index after a forced break must, it seems to me, be part of one of Dante's levels of hell. I typically can't remember what book I invoiced two days ago, much less remember the entries and subentries I've started setting up a week or two ago.
Interesting book, though. I remember a few years ago hearing that someone had discovered that his VCR or DVR had what seemed to be a miniature camera facing out of it. I'd always thought that such a claim could only come from someone who'd just returned from a visit to the tinfoil hat store. Turns out that Samsung has admitted that some of their later-model TVs indeed were outfitted with cameras and microphones that could be activated remotely -- and that a watchdog group had cautioned about positioning such units facing your bed.
This public service announcement brought to you by the Luddites local union 23. Don't stay tuned.
Labels:
bad books,
good books,
indexing,
internet,
life in these united states
Sunday, December 7, 2014
Good Times Gone Wrong
A little job that I'm squeezing in among the more unpleasant ones is four short journal articles on a not-particularly-grueling although academic subject. The writing is fine, but the editorial regime is driving me crazy: MLA, which I work with about once a year, and UK punctuation and spelling.
Of course, only about half of the authors have paid any attention to either, leaving me to transform the documents into styles with which I am generally unfamiliar. MLA is OK, but it usually takes me to the end of the book to really get in the groove. On four short pieces, that groove is hard to find. And transforming 30 footnotes from Chicago style to MLA cites and a Works Cited listing takes about five times longer than it should.
Why can't anything be easy? As another editor and I were commiserating some weeks back, it's hard to believe that some people are paid the same to copyedit young adult fiction as we get to massage square scholarly tomes into artificially round holes.
To make matters worse, I was paid for this job about a year ago (strange circumstances), making this feel way too much like work. I ate the carrot at the end of this stick long, long ago. Tasted good at the time.
Of course, only about half of the authors have paid any attention to either, leaving me to transform the documents into styles with which I am generally unfamiliar. MLA is OK, but it usually takes me to the end of the book to really get in the groove. On four short pieces, that groove is hard to find. And transforming 30 footnotes from Chicago style to MLA cites and a Works Cited listing takes about five times longer than it should.
Why can't anything be easy? As another editor and I were commiserating some weeks back, it's hard to believe that some people are paid the same to copyedit young adult fiction as we get to massage square scholarly tomes into artificially round holes.
To make matters worse, I was paid for this job about a year ago (strange circumstances), making this feel way too much like work. I ate the carrot at the end of this stick long, long ago. Tasted good at the time.
Saturday, December 6, 2014
Chemical Imbalance Finally Pays Off, Momentarily
"Without chemicals, life itself would be impossible" (from a Dow Chemicals Vietnam War-era ad campaign)
A shift in my chemical regimen (for the better [I guess], I should report) has left me with the most uncomfortable side effect of remembering my dreams. It's not that I mind dreaming per se, but my dreamworld usually renders experiences that, as Ignatius J. Reilly said, "[leave] me bruised and muttering." I have a friend who's a recovering alcoholic who reports such a horrid barrage of images each night that he usually has to go for a walk with a cigarette and a cup of coffee just to shake it off. I know the feeling.
Last night offered a few moments of bliss. I slipped into sleep while sitting up on a sofa and trying to finish off the last 20 pages of a manuscript about Muslims in US prisons (yet another barn burner from the desk of Land on Demand). Across the room is the television that I never turn on.
All of a sudden I'm dreaming about seeing Lou Reed and John Cale in concert, except they are playing Cale's songs from his solo career. Reed would start out on the guitar and then push the microphone over to Cale behind the piano for a song like "Fear" or "Guts." This never happened in real life, as their reunions were either doing Velvets material or Songs for Drella, their Andy Warhol tribute. So to hear the boys performing from the Cale songbook is something I'd never hear in conscious life.
The strange thing is that I was watching this concert right where I was, in the seat on the sofa and on the TV in front of me.
I mentioned this to my wife this morning, and she had a bizarre thought: "Do you think Cale might have died?" I am happy for many reasons that today's news didn't present that report. The garbage coming out of my hometown of Staten Island is bad enough.
So after finishing the manuscript a few hours later I actually go up to bed and lay down long enough to have a dream that involved me all of a sudden being on deadline to proofread my 1977 high school yearbook -- like, my 54-year-old self, today. Doesn't my unconscious remember that I worked on the newspaper and not the yearbook?
Prompting thoughts on two pictures and the best email I received this year, work division:
Photo 1:
That would be the Verrazano-Narrows bridge (as the truckers call it, the Guinea Gateway), looking toward Brooklyn. That little tower atop of brick edifice you see off to the right of the bridge would be the school where I spent the years 1969 to 1977. Poly Prep. If you search "Poly Prep sex scandal," you'll find a world of pain and bad times that were in full throttle during my years there, a revelation that only came about recently. This photo accompanied an AP story yesterday about the outsider borough of Staten Island. Why they presented an image of that bridge facing Brooklyn, I have no idea.
Picture 2:
I was working on an index for an author in Israel, and when his name came up attached to a Lou Reed homage, I sent him this picture. His response:
"Nuff said that I'm thanking the gods and [the press's managing editor] for introducing me to you, sure. But how did you and your wife come to be in a room with a warped acoustic ceiling and John-fncking-Cale?"
Ah, authors. I occasionally love 'em.
A shift in my chemical regimen (for the better [I guess], I should report) has left me with the most uncomfortable side effect of remembering my dreams. It's not that I mind dreaming per se, but my dreamworld usually renders experiences that, as Ignatius J. Reilly said, "[leave] me bruised and muttering." I have a friend who's a recovering alcoholic who reports such a horrid barrage of images each night that he usually has to go for a walk with a cigarette and a cup of coffee just to shake it off. I know the feeling.
Last night offered a few moments of bliss. I slipped into sleep while sitting up on a sofa and trying to finish off the last 20 pages of a manuscript about Muslims in US prisons (yet another barn burner from the desk of Land on Demand). Across the room is the television that I never turn on.
All of a sudden I'm dreaming about seeing Lou Reed and John Cale in concert, except they are playing Cale's songs from his solo career. Reed would start out on the guitar and then push the microphone over to Cale behind the piano for a song like "Fear" or "Guts." This never happened in real life, as their reunions were either doing Velvets material or Songs for Drella, their Andy Warhol tribute. So to hear the boys performing from the Cale songbook is something I'd never hear in conscious life.
The strange thing is that I was watching this concert right where I was, in the seat on the sofa and on the TV in front of me.
I mentioned this to my wife this morning, and she had a bizarre thought: "Do you think Cale might have died?" I am happy for many reasons that today's news didn't present that report. The garbage coming out of my hometown of Staten Island is bad enough.
So after finishing the manuscript a few hours later I actually go up to bed and lay down long enough to have a dream that involved me all of a sudden being on deadline to proofread my 1977 high school yearbook -- like, my 54-year-old self, today. Doesn't my unconscious remember that I worked on the newspaper and not the yearbook?
Prompting thoughts on two pictures and the best email I received this year, work division:
Photo 1:
That would be the Verrazano-Narrows bridge (as the truckers call it, the Guinea Gateway), looking toward Brooklyn. That little tower atop of brick edifice you see off to the right of the bridge would be the school where I spent the years 1969 to 1977. Poly Prep. If you search "Poly Prep sex scandal," you'll find a world of pain and bad times that were in full throttle during my years there, a revelation that only came about recently. This photo accompanied an AP story yesterday about the outsider borough of Staten Island. Why they presented an image of that bridge facing Brooklyn, I have no idea.
Picture 2:
I was working on an index for an author in Israel, and when his name came up attached to a Lou Reed homage, I sent him this picture. His response:
"Nuff said that I'm thanking the gods and [the press's managing editor] for introducing me to you, sure. But how did you and your wife come to be in a room with a warped acoustic ceiling and John-fncking-Cale?"
Ah, authors. I occasionally love 'em.
Labels:
authors,
family,
life in these united states,
music,
troubles
Friday, December 5, 2014
The Question That Always Drives Me Crazy
It's not this one.
My wife and I were at a party this evening -- the annual holiday party following the board meeting of the regional theatre where my wife works. A woman who has known me for probably eight or ten years asks, "So, are you still editing?"
This woman is not unintelligent. For that matter, when she worked for the theatre, she used my services. She was directly involved when I copyedited, proofread, and indexed the self-published book the theatre put out about the theatre's founder.
Why people ask me if I'm still editing is a mystery. Has anyone since I was 24 years old ever known me to do anything else? (Throw in proofreading, and you can back that number up to 20.) Have I ever exhibited any other marketable skill? Can I build anything, design anything, fix anything, sell anything, create anything, or perform anything?
In order, the answers are no, no, no, no, no, no, no, and no.
Is editing a way station, a hobby, a disreputable pursuit, or a stage in life?
Um . . . no, no, no, and no.
I think I once responded to an MD who asked me this question, "Are you still a doctor?"
Drives me nuts.
Wednesday, December 3, 2014
Tuesday, December 2, 2014
Update on If Indexing Was That Easy . . .
1. See http://boblandedits.blogspot.com/2014/11/if-indexing-was-that-easy-more-people.html (or scroll down a few posts).
2. The (gut) punch line:
Hello Bob,
2. The (gut) punch line:
Hello Bob,
Sorry for the delay in response. After going over things with our project lead, we've decided to go in a different direction and will not be needing your services. I am very sorry about all of the back and forth with the staff. As I mentioned, this has been a tricky time for us, and unfortunately budget and time constraints mean that we simply cannot do this work in the way that we had anticipated when our staff was first in contact with you.
I appreciate your patience with us during this process, and the time you've put in. Feel free to contact me with any questions.
Best of luck,
Monday, December 1, 2014
Quote of the Day
As even the vastly popular science-fiction writer Isaac Asimov understood, “Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that ‘my ignorance is just as good as your knowledge.’”
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