along with some comments on the world of a freelance editor
What It Is (posts below left; rate sheet, client list, other stuff below right)
My name is Bob Land. I am a full-time freelance editor and proofreader, and occasional indexer. This blog is my website.
You'll find my rate sheet and client list here, as well as musings on the life of a freelancer; editing, proofreading, and indexing concerns and issues; my ongoing battles with books and production; and the occasional personal revelation.
Feel free to contact me directly with additional questions: landondemand@gmail.com.
Thanks for visiting. Leave me a comment. Come back often.
Saturday, May 20, 2017
Another Pot-Boiler
A dialogue follows of
questions about teeth, skin, flesh, sinews, bones, marrow of the bones, kidneys,
heart, liver, pleura, spleen, lungs, intestines, mesentery, stomach, feces,
bile, phlegm, pus, blood, sweat, fat, tears, lymph, saliva, snot, synovial
fluids, urine, and the brain.
Friday, May 19, 2017
Friday Morning Musical Interlude
Today's strange find. And if you work in an office, you can listen to it without people thinking you're too weird, unlike the music-type sounds that I usually play.
Joe Pass and Roy Clark Play Hank Williams
I will presume you know who Roy Clark is. You should know who Joe Pass is, especially if you heard him about 25 or 30 years before this.
Please sit through the annoying first 30 seconds of crowd noise and then listen to what Oscar Peterson (p), Joe Pass (g), and Niels Henning Oersted Pedersen (b) do, which is almost literally unbelievable. Beginning at 3:25, Oscar Peterson plays a solo in which you can't imagine anyone playing a faster bass line, just bafflingly quick left hand . . . and then the right comes in.
Joe Pass and Roy Clark Play Hank Williams
I will presume you know who Roy Clark is. You should know who Joe Pass is, especially if you heard him about 25 or 30 years before this.
Please sit through the annoying first 30 seconds of crowd noise and then listen to what Oscar Peterson (p), Joe Pass (g), and Niels Henning Oersted Pedersen (b) do, which is almost literally unbelievable. Beginning at 3:25, Oscar Peterson plays a solo in which you can't imagine anyone playing a faster bass line, just bafflingly quick left hand . . . and then the right comes in.
Thursday, May 18, 2017
Above and Beyond
In the midst of about 40 hours of doing nothing but fixing bibliography and notes for a massive volume. The book was translated from the Italian (and translated into Italian originally from probably five different languages [damn overachievers]), and I'm searching the Webz looking for translations of Italian, French, and Spanish (so far) minutiae, like documentation abbreviations. If I had a foot in the door in Sanskrit, I'd be there, too.
And I'm listening to Keith Jarrett at present. I can't tell if his groaning is his groaning, my stomach, or the mascot whining.
And I'm listening to Keith Jarrett at present. I can't tell if his groaning is his groaning, my stomach, or the mascot whining.
Wednesday, May 17, 2017
Today's Wisdom from the East
It is related of
Chao-chou, another great Zen master, that when a monk once asked him, “What is
the last word on truth?” he simply replied, “Yes”—Whereupon
the disciple, thinking that the master had not understood, repeated the
question. And Chao-chou, feigning anger, boomed back at him: “Do you suppose I
am deaf?”
Subscribe to:
Posts (Atom)